For an article just published in Historical Novels Review, I asked four novelists to tell me about material they decided to leave out of their novels and how they approached being selective about their researched material. ‘You should fight the desire to include something simply because you find it interesting,’ said Livi Michael, who recently published a 15th century trilogy. S.G. Maclean cited cutting out loving descriptions of a 17th century apothecary’s shop and a Scottish bookseller’s shop from her novels, and advised ‘learning not to be self-indulgent, instead keeping the story focused’. French medieval mystery writer Andrea Japp reported: ‘I have to understand everything, even if I do not use it. It is a way to ground my story, so that my readers wish to accompany me back to these ancient times. There are many things that do not make it to my novels, just because they are a sort of substrate.’ Researching her 19th century music-hall novels, Kate Griffin visited Victorian cemeteries and is now immersed in researching Victorian stage machinery, make-up, props, and the mechanics of illusion.
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